Category Archives: For Photographers

Free Adobe Lightroom Presets #2

I had such a great response from giving away the last load of presets that I thought I’d do it again.  This time though, they’re designed for Lightroom 3.  They’re untested on anything but Lightroom 3, so if they work in Lightroom 1 or 2, great!  If they don’t, boooo!

To download and install them just click the link below, load Lightroom and enter the Develop module.  Once there, you can select to add presets.  Done.  Alternatively, you can do it the harder way.

Lightroom Presets Vol.2

Inside your free download are a load of great presets, including:

  • Grrrvant – The Yervant-look, made easy!
  • Vignettes – 3 different types!
  • Burnt-Edge Vignettes – 4 delicious flavours!
  • Grain – Old-school film look!

And here’s a Before & After showing the presets in action:

100717-140558-2.jpg - Wedding photographer in chesterfield, derbyshire - Matt Sanderson Photography

by Matt

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Fine Art?

What defines fine art? What is it? When a photographer declares themselves to be a fine art photographer (fine artist?) do they suddenly go from being relatively normal to dressing solely in black and wearing a beret? I’ve always wondered.

Now, where did I put my beret?

When someone says “Fine art”, what’s the first thing that comes to mind?  You can let me know by clicking here.

100424-130541.jpg - Wedding photographer in chesterfield, derbyshire - Matt Sanderson Photography

100424-130835-2.jpg - Wedding photographer in chesterfield, derbyshire - Matt Sanderson Photography

by Matt

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Free Lightroom Presets

Here’s a post just for the photographers.  I often get asked how I edit my photos, or what my processing method is for this photo, or for that photo.  I try to be as honest and open as I can when it comes to sharing information like that and I hope that at least one or two people have been helped along the way.

So in the spirit of being honest, open and generous I’ve put together a free ‘pack’ of Lightroom presets.  You can simply download them by clicking the link below.

Free Lightroom Presets v1.0

Inside are a few cross-processing presets that’ll fiddle with your Split Toning settings.  There’s also some accompanying saturation presets that will allow you to get the best from the cross-process effect.

To demonstrate, the photo on the left is straight-out-of-camera and the photo on the right has been treated with the cross-processing presets.  I hope you enjoy them!

IMG_5702-2.jpg - Wedding photographer in chesterfield, derbyshire - Matt Sanderson Photography

by Matt

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Australian Surfers

Anyone who knows me will know that I traveled around Australia a few years back. Going there was, without a doubt, the best decision I’ve ever made. I thought that today I’d share a couple of images from the period in which I really became interested in photography.

I’m all for people using cheap and easy to use cameras – these were taken with a £100 point-and-shoot.   Have a look at some photos I took with a £5 disposable camera here.

by Matt

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Pants On Fire

No, it’s not the new track by Kings Of Leon, it refers to me being a big, fat liar.

The Blogpost I made on Saturday (You Don’t Take A Photograph) talked of taking the flash off the camera to create interesting and cool lighting. In effect, making a photo rather than taking it.

In the post I gave these two photos as examples of photos taken with off-camera flash.

chesterfield wedding photography

A few people have been asking for a bit more information about the photos, such as what the flash settings were and if flash modifiers were used. I have to make a full and frank confession:

Only one of the photos used flash. The other used 100% natural lighting.

I’m not going to tell you which is which (try and figure it out for yourself) but it just goes to show that while you can spend literally hundreds upon thousands of pounds on equipment to provide you with more light, shouldn’t you just start by looking for better light in the first place?

by Matt

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Off-Camera Flash, continued…

The last entry basically introduced off-camera flash. I would like, at this point, to clarify that I said that I was not going to show you what to do. I’m literally wanting to show you what I use, why I use it and where I got it from. I’ll repeat what I said last time, there are a million articles out there to show you what you need to do to get started and trust me, once you have the principals down-pat, you’re going to be well on your way to injecting a little bit of flash into your images to compliment, and hopefully, improve them.

Enough of that, though, on with the post…

For no reason at all, I’ll start with the Swivel.  The Swivels I use are “Manfrotto 026 Lite Tite” Swivels, and I got mine from here, for £14.95.  A Swivel basically sits on top of your light stand allowing you to move the flash and also lets you to attach an umbrella.
Also included with the Swivel are these little brass things, called Spigots.  I only use the ‘male’ variety, which sits on top of the Swivel and allows you to attach your flash to it.
Below is the Swivel, swivelled, and with the male Spigot attached.
Next up is the Swivel attached to the light-stand. The light-stand I use is from here, costs just £24 and is simply named “2m medium duty light-stand”. There is also a “heavy-duty light-stand” but that only reached 1 metre high, whereas the “medium-duty” one reaches 2 metres. Very handy. So, you attach the light-stand to your Swivel via the turn screw you can see on the right-hand side (the one with the 4 ‘points’ on it).  You can use the ‘female’ Spigot, if you like, as the light-stand has a ‘male’ screw on it, but I find this way to be less fiddly and easier to do. Personal preference is always king.

And then we have the flash ‘shoe’ attached to the ‘male’ Spigot on top of the Swivel. It simply screws in like so.

Then you attach your flash to flash shoe and you’re laughing.


All that remains to do now is get your umbrella and slot it into the hole on the Swivel. I got my umbrellas from here. I purchased 2 ‘shoot-through’ umbrellas and 2 ‘bounce-off’ umbrellas for about £12 and £14 – not much at all. Links are here and here. They’re both 43″ so are fairly large and produce quite soft shadows.  And you know what the best thing is? The next time it rains at a wedding, I’ve got at least 4 umbrellas I can use for the Bridal party!

Voila! All set-up and ready to shoot!
If you’re interested, the set-up for the photos above was this:
You can see the backdrop – simply a black bed-sheet hung over a drying rack. The umbrella to the right and the reflector – a pad of white paper – to provide a bit of fill from the left-hand side. Nice and simple.
Very soon after getting all this kit, I put it to good use shooting head-shots for a local football team. The shots were taken in the shade from the bright sun at f/8, iso100 and 1/250th and the flash was at 1/4th power. I placed the flash very, very close to the subject and ever so slightly off to the (camera) right-hand side. I thought I would use the flash as a main light and have the ambient-light lift the shadowed areas ever so slightly. I think it worked, anyway.

by Matt

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Lighting off-camera?

It may be an alien concept or it may be second nature but a big thing that I’ve noticed over the last year is the sheer amount of people using their flash off-camera.

There’s a million and one articles out there showing you how to do it, what settings to use and how you
should do it. I’ve obviously read a lot of them (I read far too much!) but the one thing that I’ve never taken from any of these articles is where to get the necessary equipment. I’m not going to preach, it just isn’t what I (or this blog) am about. But what I will do is show you what I have, where I got it from and what I use it for.

Okay, so first step of off-camera flash is the… flash, of course. I originally bought 2 cheap flashes off of eBay for about a tenner. They were a
Vivitar 3500 and a Vivitar 2500. Worst £10 I’ve ever spent. Basically these flashes had an on/off button and a ‘power’ switch that had, as far as I could tell, 4 different settings ranging from ‘bright-as-the-sun’ to ‘just-under-the-brightness-of-the-sun’. Honestly. That’s what it seemed like. I never really used them! I still have them though, they’re right here on my desk actually.

After that I decided that whilst £10
was an actual bargain, you got what you paid for and invested in some better gear.
Side Note: The white band around the head is velcro for attaching flash-gels and light-modifiers.
I use a pair of Canon 580EXII’s and a single Canon 430EX. This allows me to make use of Canon’s built-in wireless system and also 3rd party wireless senders and receivers.

I used a single Canon 580EXII on-camera for awhile before purchasing another. The thing I like about them is that they have really quick recycle times, PC sockets and are really solidly built. I didn’t actually realise how solid they were until I bought a Canon 430EX. The difference in build-quality is quite large.


More to come – what gear I use, where to get it and how to fit it all together.

by Matt

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